Make the color, material, and considered finishing choices in each piece clear to collectors and commission clients.
Portfolio Store for Alcohol Ink ArtistsBrowse the TipsAlcohol ink is expressive, but a viewer still needs a stable view of the object and its finish. Use the details below to make your portfolio vivid and informative at once.
Diffuse your light source and shift the artwork angle so glossy coatings do not wash out veining or saturated color.
Show one close crop for delicate edges and one full view with dimensions so the viewer can judge the complete composition.
Name the surface—such as synthetic paper, ceramic, or glass—because it changes how ink settles and moves.
Distinguish an unsealed study from a varnished or resin-coated work, and avoid implying that every piece has the same durability.
Select frames that reveal one real decision—blowing a bloom outward or lifting a section—rather than every moment at the table.
In a few lines, record palette, requested dimensions, and the visual effect you aimed for; name a client only with permission.
Reflective topcoats and translucent layers can fool a camera: highlights may flatten a vivid area, while a tight crop can make an object’s scale impossible to read. Photograph the work in diffused light, check color against the original, and combine an overall image with a purposeful detail. Pair those images with accurate notes about substrate and sealant. This evidence lets a client compare surface treatments and project formats without mistaking a studio experiment for a ready-to-hang, wearable, or functional piece.
Review the image beside the original so deep tones and fine veins remain close to what you made.
Use the caption to make the substrate and protective finish unambiguous.
Start with resolved pieces, then add process or studies where they clarify your approach.
Usually two or three purposeful images are enough to explain a technique without interrupting the finished work.
Keep a consistent format, but include only details that apply to that piece, such as dimensions, substrate, finish, and availability.
Use a large diffused light source, move it off-axis, and test more than one angle to preserve color and surface detail.
Only when a study demonstrates a technique or decision you want viewers to understand; label it as a study rather than a finished work.
Include it when the choice helps explain a distinctive result or is important to a commission conversation.
Confirm permission first, especially when a commissioned palette or finished piece could identify a private client.
Give every image a clear place and the context it needs.