Small decisions in lighting, framing and project notes can make specialist metalwork easier to appreciate.
Portfolio Store for GoldsmithsRead the tipsA photograph of a polished surface can hide its form in a bright reflection. The adjustments below help preserve the character of the object while keeping each image honest.
Soften harsh reflections with a broad light source or bounce card, and make sure the image still shows the true colour and sheen.
Choose close views that reveal a setting, engraved line or join; a row of similar crops adds little if each tells the same thing.
Include measurements or a natural reference for miniature pieces and larger silver objects alike.
Identify the metal, stones and finish accurately. Avoid implying a hallmark or alloy specification that has not been verified.
Explain a relevant design constraint or fabrication choice in one or two sentences, rather than repeating the image title.
Ask before sharing recognisable client details, private inscriptions or identifying information about a bespoke commission.
A portfolio serves people who may never handle an object before deciding whether to enquire. Consistent image proportions, accurate material information and readable captions give them a dependable first impression. For jewellery, an in-scale view can communicate proportion; for hollowware, a view of the inside may explain its construction; for a repair, a discreet before-and-after pairing can show the care involved. Select each detail for what it reveals, and your body of work will be easier to understand without overexplaining the craft.
Neutral styling keeps attention on the actual metal and stones instead of a colour cast from the background.
One well-chosen detail can communicate control and finish more directly than a long list of claims.
Permission and careful cropping let you share commissioned work while preserving trust.
Use a large diffused light source, adjust the object or camera angle and retain some dark reflection to reveal the form.
Do not remove marks that change how a customer would judge the work. Retouch distractions in the image, not the object's actual condition.
Include useful details such as materials, dimensions, commission context and a technique that is not obvious from the photograph.
No. Pair magnified details with a full-object view so the viewer understands the overall design.
Only with permission when it could identify the client or reveal a personal message; otherwise crop or obscure the private detail.
A consistent approach helps browsing, but choose a background that separates each metal and finish rather than forcing every object into one setup.
Bring accurate photographs and considered project notes together in one shareable portfolio.