Make the details of your finished work, working method, and project choices easier for visitors to understand
Portfolio Store for Ink ArtistsRead the studio notesUse the following checks to help people see the qualities of your ink work, rather than leaving them to guess at scale, surface, or intent.
Photograph under soft, neutral light and avoid filters that shift warm paper toward white or deepen the ink unnaturally.
List dimensions and include a restrained in-context view when the size or viewing distance affects the experience.
Choose detail crops that reveal a specific quality—layered wash, controlled hatching, or a particular edge—not simply more of the same.
Alternate dense images with quieter compositions while keeping a clear connection between neighboring works.
Identify title, year, medium, surface, and relevant assignment details; keep personal reflections for places where they add context.
Confirm that client or publication work can be shown, and remove private information from briefs and reference material.
Ink paintings often depend on delicate tonal changes, dark passages, and the character of the support. A clean image should preserve those qualities, not polish them away. Before photographing, remove distracting reflections and make sure the page sits square in the frame; review the result beside the original for color and contrast. If a work uses an unconventional surface or includes a visible edge, a second view can add information. Keep any edits consistent across the portfolio so the sequence feels coherent and trustworthy.
Check whether the first images establish the subject and visual language you want to be known for.
Confirm titles, dates, materials, and availability before a curator or client relies on them.
Open your portfolio on a phone and make sure images, captions, and contact details remain easy to find.
Choose the method that preserves the surface and scale best. A flatbed scan can suit smaller work; a careful photograph works better for texture or larger pieces.
Include only stages that reveal a decision or capability; a few purposeful images are more useful than a full studio diary.
Use diffused light and adjust the angle to move reflections away from the image, then check that dark tones still retain detail.
State the broad brief, relevant constraints, and final format if the client has approved sharing those details.
It can be, when the study helps explain a composition or technique; keep it visually secondary to the resolved work.
Review it when a new body of work changes your direction or when the portfolio no longer reflects the opportunities you seek.
Gather the pieces and project details that best represent your practice.