Small presentation choices can make precision paintwork easier to assess and commission
Portfolio Store for Miniature PaintersRead the TipsClear angles, useful captions, and deliberate grouping help viewers understand both the miniature and the painter's contribution.
Use broad, soft light to preserve color transitions and avoid bright glare on varnish, metallics, or glossy effects.
Show the whole model first, then crop in on one or two details that demonstrate fine brush control or surface treatment.
Briefly identify key colors, contrast goals, and requested scheme elements when they help a client picture a similar commission.
Include the model scale or game size where it is not obvious, especially for busts, vehicles, and scenic dioramas.
Include an in-progress shot only when it clarifies a conversion, an approval stage, or a technique that the final view hides.
Place the kind of work you want more often near the beginning, then use headings to distinguish one-offs from units and terrain.
Miniature photographs can exaggerate reflections, hide texture, or make an even unit look inconsistent from frame to frame. A repeatable setup—neutral background, stable camera, diffused light, and consistent angles—makes comparisons fairer. Then use project notes to distinguish what you painted from what was supplied or assembled, and to flag client-specific requirements such as a matched army scheme or display base. This context makes a portfolio useful for scoping a commission as well as admiring a finished model.
Comparable framing and light let a client focus on your painting rather than changes in the setup.
Scale, material, palette, and brief notes explain decisions a photograph cannot show by itself.
Review the gallery after a major project and replace examples that no longer represent your finish or focus.
Use one strong overall image plus a small number of distinct angles or detail views; omit near-duplicates.
Only when the conversion or process itself is relevant, and label the stage so it cannot be mistaken for a finished commission.
Move the light source off-axis, diffuse it, and adjust the miniature until reflections reveal rather than cover the surface.
No. Mention specific materials only when the client requested them or they are important to explaining the result.
Start with the finished group, then show one representative model and note the number of figures and repeated scheme details.
Add finished work when it represents your current quality or a new service, and periodically remove weaker or redundant examples.
Use these presentation tips to give clients a clear view of your painting.