A six-step workflow from a drawer of prints and test pulls to a polished gallery.
Portfolio Store for Monoprint ArtistsView StepsGather the prints you want to be known for, identify relationships between them and prepare clear images before deciding on viewing order.
Choose a concise set with strong compositions, intentional marks and a clear direction.
Separate standalone monotypes from ghosts, stencil variations and overprinted sequences.
Capture an evenly lit full sheet and a detail for embossing or ink transparency.
Add title, year, printing surface, inks, paper, dimensions and a short process note.
Open with a signature print and group related work before a memorable closing piece.
Check every image on mobile, share with a peer and revise after substantial new work.
A studio archive may contain tests, plate cleanups and unfinished pulls. A portfolio helps someone understand what you make now. Select finished work rather than sorting by date. Record exact techniques, especially where a repeatable matrix combines with one-off inking or drawing. Keep related impressions adjacent without requiring viewers to decipher unexplained sequences. Test the link on mobile and ask whether a curator can identify the strongest work, its size and its method quickly.
Keep weak tests from diluting finished work.
Keep technique and materials with each project.
Support exhibition applications and collector conversations.
Eight to fifteen strong impressions can establish your voice.
No. Related impressions can share a project if each is identified.
Include only tests that explain a key decision behind finished work.
Yes, with labels distinguishing monotypes, stencil prints and hybrids.
Review color, orientation, technique names, dimensions and mobile layout.
After a new series, exhibition or substantial printing period.
Organize your unique impressions and share your practice.