See how different painters can present completed canvases, a connected series, and the work behind each image.
Portfolio Store for Oil PaintersCompare approachesUse these formats as starting points, then let the subjects, scale, and habits of your own studio set the final structure.
Open with the complete portrait, then add a close view of a key passage and a short account of the sitter's brief and approved presentation setting.
Group paintings around a route, season, or changing light; field studies can show how a place informed the finished canvases.
Bring related arrangements together and use detail images to reveal surface, edge, and color relationships that connect the series.
Pair a straight-on artwork photograph with an in-room view, dimensions, and a note about how the work responds to its destination.
Show a few deliberately chosen stages—from drawing or imprimatura to a later paint layer—rather than a frame for every studio session.
Use a series introduction to link separate canvases through subject, palette, or a question that continues across the paintings.
When several paintings share a page, the sequence should help a viewer notice both the differences and the thread connecting them. A portrait portfolio might move from a full composition to hands, fabric, or a distinctive transition in the face. A landscape series might place a field sketch beside the finished view, then show how another hour changed the palette. Useful project notes name the medium and dimensions, explain a constraint or intention, and avoid claiming more than the painting itself can support.
The lead image gives each painting enough space and accurate color before supporting views appear.
Titles, dates, medium, size, and a brief project note make the work easier to understand and discuss.
Series pages reveal a coherent inquiry without presenting every canvas as a duplicate of the last.
Lead with representative completed portraits, vary the subjects or formats, and include approved commission context where it adds useful information.
It can be. Place a study near the finished canvas when it clarifies a development in composition, color, or observation.
No. Choose details only when texture or a particular passage would be lost in the full image.
Organize by location or series and include selected field studies or notes about weather and light when they deepen the viewing experience.
Yes. A shared portfolio can show both, with clear labels and client permission for any identifying information or installation view.
At minimum, provide the title, year, medium, and dimensions; add a concise explanation only where it gives the viewer new context.
Bring your collection, process, and project context into a portfolio you can share.