Help each outdoor painting hold its color and context when it moves from the easel to a screen
Portfolio Store for Plein Air PaintersBrowse practical tipsA few careful image and caption decisions can preserve the differences between a fast notation, a field-finished work, and a painting completed later.
Capture the painting away from glare and deep shadow, then check that the photographed color still feels true to the surface.
Use the title, medium, and dimensions to distinguish a small field panel from a finished canvas or later studio version.
Name a public viewpoint or broad area when it helps the story; avoid exposing a private address or sensitive site.
Note a passing cloud, wind, or brief change in light only when it explains a visible choice in the painting.
Choose one or two process images that clarify a decision, rather than uploading every stage of a painting session.
Make availability and framing information easy to find, and identify works that are studies or not for sale.
Outdoor work often begins with color relationships that can disappear in a poor photograph. Photograph each surface square-on, avoid mixed lighting, and compare the image with the original before publishing. If a scene changes quickly, a short caption can record the detail the painting cannot explain on its own: the cloud that opened a gap of light, the time of day, or the reason you returned to the same bend in a path. Keep those notes factual and brief. A viewer should still meet the painting first, with the caption adding just enough information to understand its scale, status, and connection to the place.
Consistent capture conditions make it easier to compare the work with what a collector sees in person.
Compact labels give useful facts while leaving room for the painting to do the expressive work.
Visible format and availability details prevent confusion between a study, a finished original, and a commission.
Correct obvious exposure or white-balance shifts carefully, but avoid adjustments that change the original palette or surface appearance.
No. Include a note when the time, weather, or viewpoint adds meaning that is not apparent from the painting itself.
State “field study” in the title or caption and provide its size and availability just as you would for a larger finished work.
One occasional field photograph can establish scale and setting, but use a clean image of the painting as its primary portfolio view.
Use judgment and obtain permission where needed. A general landmark is often enough to explain the setting while respecting privacy.
Revisit the selection when it no longer represents your current direction or distracts from stronger, more relevant work.
Put your paintings and their essential context in a portfolio you can share.