Explore portfolio layout examples for architectural commissions, ecclesiastical windows, heritage restorations, and contemporary studio panels that help you attract the right clients.
Portfolio Store for Stained Glass ArtistsView ExamplesUse these example layouts to organise your stained glass work clearly and present your commissions, restorations, and studio output in a way that converts more enquiries.
Adapt these layouts to fit your specific commission type and artistic focus.
Open with your largest or most prominent installation. Organise by building type, design approach, and technical scale to show range across architectural contexts.
Lead with your most significant church or chapel commission. Group projects by denomination, narrative theme, or architectural period with brief liturgical context.
Open with a strong before-and-after restoration pair. Include conservation methodology, historical accuracy notes, and heritage designation of each project.
Lead with your most visually striking original panel. Organise by artistic series, material exploration, or exhibition history to show creative development.
Lead with bespoke residential or corporate pieces. Include brief, design process, and installation context to show reliability and client satisfaction.
Divide clearly into architectural, restoration, studio, and private commission sections so each client type finds directly relevant work immediately.
Each example starts with the most impactful installation photo that immediately communicates scale, light, and colour quality.
Design drawings, process stages, and final installation shots are presented in a consistent order so viewers can evaluate each project easily.
Short summaries with dimensions, glass types, leading techniques, and commission setting help architects and heritage clients assess suitability quickly.
A well-structured stained glass portfolio communicates not just what you create but how you work, what you specialise in, and why clients can trust your capabilities with significant architectural or heritage projects. These example layouts are based on the presentation patterns that help stained glass artists convert enquiries from architects, liturgical committees, heritage bodies, and private collectors into real commissions with minimal back-and-forth.
A clear structure signals professional practice and helps architects and heritage bodies trust your capabilities from the first page view.
Organising by commission type makes it easy for each client segment to find work relevant to their specific project needs.
A consistent structure makes it simple to add new commissions and restorations without restructuring your whole portfolio.
Start with your most impressive installed panel or commission. It should immediately show scale, colour quality, and the commission type you want to attract.
Use a clear before-and-after structure with notes on conservation methodology, historical accuracy, and the heritage significance of the original window.
Yes. Clear sections help different client types find relevant work quickly without having to evaluate projects outside their remit.
Aim for 4 to 8 per project: overall installation, design drawing, key panel details, and process shots where available.
Yes, if well documented they show creative range and artistic vision that strengthens your credibility for design-led architectural commissions.
Start with the example closest to your main commission type and adjust the sections to match the project categories you have strongest documentation for.
Choose your structure, add your best projects, and start sharing with architects and heritage clients in minutes.